Next Seminar
Comparing Listeners' and Designers' Listening Experiences
04/06/2013 Aalborg University, Nordkraft, Teglgaards Torv, 9000 Aalborg
IIDI News
Workshop on Engaging the Human-Computer Interaction Community With Public Policymaking...
24/05/2013
Invited to co-edit the proceedings of HCI2013, the 27th International British Computer Society...
24/05/2013 Brunel University, 9-13 Spetember, 2013
The experience of interactive art is appropriation
PhD (part-time): 2009 -
This investigation examines various methods for evaluating interactivity and engagement with technology. By using a static model, namely the interactive gallery at The Public in West Bromwich it is hoped that a practical methodology will be established for evaluating interactive art and a a language for discourse and explanation will be developed.
The practical application will be further understanding of goalless interaction design and suggesting improvements in the design of more day to day applications.
[Read More]
The practical application will be further understanding of goalless interaction design and suggesting improvements in the design of more day to day applications.
Team
Related publications
Flint, T., Turner, P. (2011, May). The Role of Appropriation in the Design of Engaging Artefacts . Paper presented at Re-Thinking Technology in Museums 2011, University of Limerick, Ireland.
McGregor, I., Leplatre, G., Turner, P., Flint, T. (2010). Soundscape Mapping: a tool for evaluating sounds and auditory environments. In: Proceedings of the 16th International Conference on Auditory Display. Washington, D.C., USA.
Morgan, A., Deane, A., Flint, T. (2010, June). Future Perfect. Paper presented at Create 10, Edinburgh.
Flint, T., Dykes, T. (2009). Aide Memoire. Sonica Festival of Sound and Experimental Art.
